Guerrilla installations used my direct-carving sensibility to explore the characteristics of a site. Repetition became ritual.

Time-specific installation explored pregnant moments and how moments of alignment could add meaning to a space.

A series of site-specific installations drew inspiration from the social and historical significance of a place.

In Silent Suburb, 16 wooden birdhouses, with black circles painted where an entrance hole should be, are arranged in a 4’x4′ grid.

Stacking a Line installations use sand and stone cone formations to explore themes of toil and transience.

The suck series integrates formations of wet clay with dehumidifiers to trigger natural, dynamic processes.

Rubber stamp installations use common political arguments to create camouflage patterns that obscure and conceal.

In The Bluebird, six birdhouses made from textbooks on land use face six poems about the bluebird as the harbinger of spring.

In the Recipe/Storm Drain Stenciling Project family recipes from local neighborhoods are stenciled next to storm drains.

In Trespass, life-size plaster game pieces compete for space on a chess board of nature-centric real estate slogans.